PAGE 12 · GALLERY VOL. 2610, NO. 1 · SUNDAY, OCT. 4, 2026

Gallery

ROMAN BUST UNMASKED: UNDER THE MARBLE, THE SAME MAN IN EVERY CITY

The Imaginarium lends the Gallery its most imperial portrait, the week a theatre review finds the villain was the lead all along.

Arts Critic, The Spoiler Alert

The Roman Bust, on loan from the Imaginarium. The toga is orange. The expression is that of a man about to be recast in the same role.

The Gallery's guest piece this week is The Roman Bust, from the Imaginarium: Mr. Samman rendered as a Roman of some standing, with marble-white curls, a beard that appears to have taken several centuries and an orange toga worn with total confidence.

Visitors arriving from the front page, where a long-running production keeps recasting the same role in different cities, say the bust explains a great deal. "Statues don't change parts," said a docent. "You carve the role once and then you put it in every city. Rome, then another Rome, then another." Kahn Sole of the Retro Desk observed that a small Gaulish village warned everyone about these Romans decades ago, and that nobody listened.

Critics are kinder. The bust is not a villain, this reviewer would argue, so much as a man who believed his first draft was his only script. The marble is the habit. The face underneath is still deciding.

The Gallery has placed a small dinner table in front of the piece, set for two. Staff say it is not a prop. It is for anyone with an apology to make in person, which the front page suggests is how the run finally closes. A visitor asked what the Romans ever did for us. A docent pointed at the table.

Main Source

See “The Roman Bust” in the Imaginarium →