COMEDY • ACTING • WRITING • ART • AND WHATEVER'S NEXT

SAME SCRIPT.
DIFFERENT
CAST.

NO ENCORES.
NO REFUNDS.
NOBODY LEFT
IN THE
BUILDING.

All the news you wish you hadn't read.

VOL. 2610, NO. 1 · PRICE: 1 Ticket (Show Already Over) RIYADH: 33°. DÉJÀ VU; ZION REPORTS A GLITCH. SAME AS 1997. SUNDAY, OCT. 4, 2026
BREAKING
QUOTE OF THE DAY: “I said yes. Even when I wasn't sure. Even when I was quietly holding my breath.”JANITOR NAMED EMPLOYEE OF THE DECADE, CITES 'ONE VERY LONG SHIFT'FOLDING CHAIRS FILE NOISE COMPLAINT OVER NIGHTLY BOWINGDRAMATURG STILL CRYING; AMITY ISLAND SENDS 'A BIGGER BOX' OF TISSUES1997 CALENDAR'S UNION REFUSES TO TURN PAGE; LOCAL DELOREAN STALLS AT 87 MPHTHIS WEEK IN MiKS: OLD ROLEQUOTE OF THE DAY: “I said yes. Even when I wasn't sure. Even when I was quietly holding my breath.”JANITOR NAMED EMPLOYEE OF THE DECADE, CITES 'ONE VERY LONG SHIFT'FOLDING CHAIRS FILE NOISE COMPLAINT OVER NIGHTLY BOWINGDRAMATURG STILL CRYING; AMITY ISLAND SENDS 'A BIGGER BOX' OF TISSUES1997 CALENDAR'S UNION REFUSES TO TURN PAGE; LOCAL DELOREAN STALLS AT 87 MPHTHIS WEEK IN MiKS: OLD ROLE

VILLAIN OF HIS LOVE STORY UNMASKED

It Was Him. A Blog Post Reviews Years of the Same Script in Different Cities, and Ends With Two Words at Dinner.

Theatre Review · From the Blog

Same Script Different Cast: A Long Run, a Recast Role and Two Words at Dinner

Senior Theatre Correspondent, The Spoiler Alert

RIYADH — Same Script Different Cast, which opened on Mishal Samman's blog on Sunday, August 24, 2025, is a one-act confession of about 550 words with no interval and a subtitle that doubles as a stage direction: "Stop Playing Your Old Role."

The plot will be familiar to anyone who has sat through a long run. After a heartbreak in the 90s that left him "gutted," Mr. Samman kept picking the same kind of partner: "Different names. Different cities. Different reasons. But the same script." The co-star's role was recast. The lead's lines were not.

The best lines belong to the friends, who spot the reruns first. "She's sweet, man… but is she the one?" asks one. "Are you even in this, or are you just afraid to be alone?" asks another. "And they were right," the lead concedes.

Then the twist. Mr. Samman reviews his own performance: "I wasn't the nice guy. I was the coward. The soft-spoken villain in someone else's origin story." "Vader waited a whole sequel to say it," said Twyla Twiste, plot-twist critic. "This man spoils his own reveal, in writing, on a Sunday. In this paper, that is practically the masthead."

The closing scene is a dinner: "Years later, I called a few of them. Took them to dinner. Looked them in the eye." The line he came to say was "I'm sorry." Four stars. The next draft, the post suggests, goes "in your own handwriting." This reviewer has booked a seat.

I wasn't the nice guy. I was the coward.— Mr. Samman, reviewing his own performance, in writing
Continued on Page 2 →

Artist's reconstruction of the final bow. The post contains no stage, no folding chairs and no janitor. The janitor would like it noted that he stayed anyway.

The Real Story

Same Script, Different Cast

Mishal Samman · Aug. 24, 2025

After a heartbreak in the '90s left him "gutted," Mishal kept replaying the same relationship with different people: chasing intimacy instead of love, control instead of commitment. His friends saw the pattern first, and told him.

Years later he called some of the women he had hurt, took them to dinner and apologised in person. He still believes in commitment. He has just stopped trying to script it.

Read the real story →

Reader Poll

Should the show go on?

Results certified by Faye Chekk, who is on leave.

Clip & Save

On The Air

HOST NEVER SPOKE TO THE GIRL. 'BUT I HAD RICHARD MARX.'

Three Posts in Five Days: a Cassette on Loop, an Improv Class and a Grey Yahoo Page; the Retro Desk Checks the Tracklist.

Music Desk

This week's episode gathers three posts from one week in October. In the first, the host remembers a girl he saw once, in his early teens: "I hadn't even talked to her. But I had Richard Marx." The cassette, he writes, played "on loop."

"A ballad doing the work of an entire relationship," said Kahn Sole of the Nerd Panel's Retro Desk. Also in the episode: improv in Saudi, and a side quest that became the story.

Continued on Page 3 → Listen to the episode

Exclusive

Leaked Script Reveals What This Website Is Really About

Sources close to the production confirm the pages were never meant to be seen.

INT. WEBSITE – NIGHT

MEESH

CORRECTIONS

In last week's edition we reported that the show had closed. The show had closed. We apologise to the lead actor, who was not informed.

CLASSIFIEDS

FOR SALE — One (1) script, heavily used. Every line memorised. Previous owner moving on. Ghostbusters have been called to remove whatever keeps performing it.

WANTED — Understudy for a role nobody should play anymore. Position will not be filled. Do not apply.

THE NEWSROOM

EDITOR-IN-CHIEF M.K. Samman · MANAGING EDITOR Ed Ittorial · HEADLINES Heddy Lyne · DEADLINES Dedd Lyne · CORRECTIONS Cora Rekshun · FACT-CHECKING Faye Chekk (on leave) · PHOTOGRAPHY Papa Ratzy · OPINION Opie Edd · PRESS OFFICE Preston Release

Letters to the Editor →

From the Editor's Desk

The show ended. The cast changed, the set was struck, the whole production moved on. And yet something in you is still delivering lines written for a version of yourself that no longer exists — still hitting marks on a stage that is not there anymore. This issue is for the characters we keep playing after the run has closed.

— Ed Ittorial, Managing Editor

Back Issues

The last three Sundays. Anything older has been used to wrap shawarma.

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